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Professor of Bases of stage movement. Founder of methods and program of forming the graceful movements education of the opera artist at the National Academy of Music. They are all appropriate with the proved achievements of the contemporary psychometric medicine with the most productive theatre methods, yogi breathing practices. By using interesting studies on an advance manner, but at the same time delicately and softly without forcing the fragile creative nature of the young man imperceptibly are accumulated constructive useful vocal-plastic skills and habits. A confidence is created in the proper means of expression, set free the individual natural behaviour of the emotional-plastic potential in performing, the psychological and physical training comfort is raising, the whole theatre culture as well. The stylistic and etiquette abilities, steps, work with historical costume, scenic fight, and falls down are ready artist elements which could be usefully build in all kinds of mis-en-scene decisions.
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