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  Artes Mundi - Artes Mun...  
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Yn wreiddiol, crëwyd Down Under o ryw fanion defnydd a gasglwyd gan wragedd tlawd yn Gujarat, India. O graffu’n agos ar waith celf Gowda, byddwn yn dechrau casglu tameidiau bach o ddefnydd a thecstilau i ddatblygu’ch cynlluniau’ch hun.
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Down Under was originally constructed from bits and pieces of fabric collected by poor women in Gujarat, India. Looking closely at Gowda’s artwork we will start to collect fragments of fabric and textiles to develop your own designs. Bring in your own piece of fabric, or use our collection of donated textiles by local retailers.
  New Guest Blogger – I A...  
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Daniel yn ôl o’r rhyfel. Roedd yna ryw islais rhywiol anghynnes a delweddaeth ryfedd, ond roedd y ffilm wedi’i saethu’n wych. Yr awgrym yw y bydd trawma a wynebir gan gymdeithas yn cronni ynon ni i gyd a bydd atgof ohono’n codi’i ben yn y cenedlaethau a ddaw.
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Onward to a forty minute menacing film by Omer Fast featuring repeating tales of a set of parents welcoming back different versions of “their son?” Daniel from war. There was a creepy sexual undertone and strange imagery, but it was wonderfully shot. The suggestion is that trauma faced by a society sits in us all and its memory raises its head in generations to come.
  Artes Mundi - Bedwyr Wi...  
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Mae Williams yn adnabyddus am ddychanu’r berthynas rhwng yr artist a’r curadur drwy greu senarios gwirion iddyn nhw. Yn fwy diweddar, drwy fideo, mae wedi edrych ar themâu dystopia ac arwyddocâd dynol ryw yn y bydysawd.
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Bedwyr Williams uses multimedia, performance and text to explore the friction between ‘the deadly serious’ and ‘the banal’ aspects of modern life. Williams is known for satirizing the relationship between the artist and curator by creating absurd scenarios for them to appear in. More recently he has explored, through video, themes of dystopia and mankind’s significance in the universe. Williams is shortlisted for the Film London Jarman Award 2015 and represented Wales at the 55th Venice Biennale.
  DIALOGUES ON CONFLICT ...  
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Rwy’n defnyddio seilwaith fel cyfrwng i edrych ar statws cloffi-rhwng-dwy-stôl Dwyrain Jerwsalem, sydd wedi cael ei chyfeddiannu gan Israel, ond y mae Palesteiniaid yn dal i obeithio y bydd ryw ddydd yn dod yn brifddinas iddynt, ac i ystyried ymateb amwys y Palesteiniaid i’r trais seilwaith y maent yn ei brofi.
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In my dissertation research I discuss infrastructures as a means of exercising control over territory, but also highlight their role as a link between state policy and military strategy on the one hand and urban everyday life and embodied experience on the other. I use infrastructure as a vehicle to examine the in-between status of East Jerusalem, which has been annexed by Israel, but which Palestinians continue to hope will one day serve as their capital, and the ambivalent response of Palestinians to the infrastructural violence they experience.