lp – -Translation – Keybot Dictionary

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  Jazz. New York in the R...  
Jazz LP covers from the 1940s to 1990s
Pochettes de disques de jazz des années 1940 à 1990
  Jazz. New York in the R...  
Jazz LP covers from the 1940s to 1990s
Pochettes de disques de jazz des années 1940 à 1990
Die Kunst des Jazz-Covers von den Vierzigern bis in die Neunziger
Portadas de los LP de jazz desde 1940 hasta 1990
  Jazz Covers - Reviews (...  
Jazz Covers - LP Designs from the 1940s to 1990s
Joaquim Paulo, Julius Wiedemann
  Alex Steinweiss. Modern...  
"His remarkable eye for design is shown on sleeves ranging from an LP of Churchill's speeches to Music From Mathematics composed on an IBM home computer."— GQ, London, United Kingdom
"His remarkable eye for design is shown on sleeves ranging from an LP of Churchill's speeches to Music From Mathematics composed on an IBM home computer."— GQ, London, Royaume-Uni
"His remarkable eye for design is shown on sleeves ranging from an LP of Churchill's speeches to Music From Mathematics composed on an IBM home computer."— GQ, London, Großbritannien
"His remarkable eye for design is shown on sleeves ranging from an LP of Churchill's speeches to Music From Mathematics composed on an IBM home computer."— GQ, London, Reino Unido
  Jazz Covers - Reviews (...  
„Ein gewichtiges Werk, diese in einem stabilen Schuber steckenden zwei großformatigen Bände, das die künstlerische Ästhetik der Jazz-LP-Cover seit den 40er Jahren bis zum Niedergang der LP-Produktion in den 90ern vorstellt.
„Ein gewichtiges Werk, diese in einem stabilen Schuber steckenden zwei großformatigen Bände, das die künstlerische Ästhetik der Jazz-LP-Cover seit den 40er Jahren bis zum Niedergang der LP-Produktion in den 90ern vorstellt.”— Schädelspalter, Hannover, Allemagne
  Jazz Covers - Reviews (...  
„Ein gewichtiges Werk, diese in einem stabilen Schuber steckenden zwei großformatigen Bände, das die künstlerische Ästhetik der Jazz-LP-Cover seit den 40er Jahren bis zum Niedergang der LP-Produktion in den 90ern vorstellt.
„Ein gewichtiges Werk, diese in einem stabilen Schuber steckenden zwei großformatigen Bände, das die künstlerische Ästhetik der Jazz-LP-Cover seit den 40er Jahren bis zum Niedergang der LP-Produktion in den 90ern vorstellt.”— Schädelspalter, Hannover, Allemagne
  Jazz Covers - Reviews (...  
de Joaquim Paulo y Julius Wiedemann, publicado por TASCHEN en tamaño LP en un estuche con dos volúmenes, recoge una colección de portadas de jazz publicadas entre 1940 y 1990. Al placer que supone la visión de esas creaciones artísticas se unen las interesantes -aunque breves- anotaciones tanto sobre los responsables de la parte visual como de la musical...
de Joaquim Paulo y Julius Wiedemann, publicado por TASCHEN en tamaño LP en un estuche con dos volúmenes, recoge una colección de portadas de jazz publicadas entre 1940 y 1990. Al placer que supone la visión de esas creaciones artísticas se unen las interesantes -aunque breves- anotaciones tanto sobre los responsables de la parte visual como de la musical... El propio Stollman, algunos de los músicos que grabaron allí, así como otros artistas y personajes relacionados con el jazz dan su punto de vista y cuestan la historia de su relación con uno de los pocos sellos que utilizaba el esperanto en sus textos."— Mas Jazz Revista, Madrid, Espagne
  Jazz Covers - Reviews (...  
Un tocho, dos volúmenes de 6 kilos, como el jamón, de fotos espectaculares. Si conocéis el sello, sabéis que son especialistas. Un libro tamaño LP. Las portadas tiene ese tamaño. 560 Páginas que además de un formato espectacular que para todos aquellos que sois amantes del jazz o queréis hacer un buen regalo es ideal.
, portadas de jazz en formato espectacular. Un tocho, dos volúmenes de 6 kilos, como el jamón, de fotos espectaculares. Si conocéis el sello, sabéis que son especialistas. Un libro tamaño LP. Las portadas tiene ese tamaño. 560 Páginas que además de un formato espectacular que para todos aquellos que sois amantes del jazz o queréis hacer un buen regalo es ideal. Se habla de quienes hicieron las portadas, los diseñadores, las fotos. Encontramos un top de diez favoritos y muy interesantes entrevistas a personajes como Rudy Van Gelder."— Jazz-Session, Radio Círculo 100.4 FM, Círculo de Bellas Artes, Madrid, Espagne
  Jazz Covers - Reviews (...  
"Nuova edizione per una raccolta di copertine di vinili jazz davvero strepitosa. A partire dal formato, due volumi quadrati come un lp e sulla cui costola si affiancano quelle dei vinili di Coltrane, Miles, Lee Morgan etc. Impreziosito da una serie di interviste a produttori storici... Una copertina tira l'altra come ciliegie, e incuriosirsi anche dei dischi è naturale. Bellissimo."— Blow Up, Arezzo, Italy
"Nuova edizione per una raccolta di copertine di vinili jazz davvero strepitosa. A partire dal formato, due volumi quadrati come un lp e sulla cui costola si affiancano quelle dei vinili di Coltrane, Miles, Lee Morgan etc. Impreziosito da una serie di interviste a produttori storici... Una copertina tira l'altra come ciliegie, e incuriosirsi anche dei dischi è naturale. Bellissimo."— Blow Up, Arezzo, Italie
  Alex Steinweiss. Modern...  
"No one can hold a candle to Alex Steinweiss. With the coffee-table buckling Alex Steinweiss: The Inventor of the Modern Record Cover, TASCHEN gives a hearty high-five to the Columbia Records art director (now 92) who created the concept of cover art in 1940 with Smash Song Hits, a cabaret-jazz LP from Rodgers and Hart. If that weren't enough, Steinweiss - whose swirly lettering and clean, vibrant graphics continue to influence design today - went on to pioneer the folded cardboard record sleeve as we know it. Respect."— Nylon, London, United Kingdom
"No one can hold a candle to Alex Steinweiss. With the coffee-table buckling Alex Steinweiss: The Inventor of the Modern Record Cover, TASCHEN gives a hearty high-five to the Columbia Records art director (now 92) who created the concept of cover art in 1940 with Smash Song Hits, a cabaret-jazz LP from Rodgers and Hart. If that weren't enough, Steinweiss - whose swirly lettering and clean, vibrant graphics continue to influence design today - went on to pioneer the folded cardboard record sleeve as we know it. Respect."— Nylon, London, Royaume-Uni
"Alex Steinweiss is justly remembered for the way he brought Columbia's records out of themselves. He managed to make Beethoven look like Pink Floyd, Xavier Cugat like a Disney film, and Louis Armstrong like Kanye West....TASCHEN's book is stupidly, prohibitively expensive to most, but it's still lovingly put together. The sleeves are the stars, but wonderful factory line-style photos and evocative shots of Steinweiss with his lifelong geau, smoking cigars, always wearing suits, fills it out in style."— Record Collector, London, Großbritannien
"No one can hold a candle to Alex Steinweiss. With the coffee-table buckling Alex Steinweiss: The Inventor of the Modern Record Cover, TASCHEN gives a hearty high-five to the Columbia Records art director (now 92) who created the concept of cover art in 1940 with Smash Song Hits, a cabaret-jazz LP from Rodgers and Hart. If that weren't enough, Steinweiss - whose swirly lettering and clean, vibrant graphics continue to influence design today - went on to pioneer the folded cardboard record sleeve as we know it. Respect."— Nylon, London, Reino Unido
  Jazz Covers - Reviews (...  
La compañía con sede en Alemania, que tiene puntos de venta aquí en Estados Unidos, acaba de salir con una estupenda absolutamente dos volúmenes de conjunto de la cubierta del álbum de jazz que abarcan lp de 50 años.
: desde 1940 hasta la década de 1990 TASCHEN, el editor de arte de alta calidad, tiene una reputación para la foto de primera clase y libros de arte, todo con el estado de la técnica de los valores de producción y la calidad excelente en general. La compañía con sede en Alemania, que tiene puntos de venta aquí en Estados Unidos, acaba de salir con una estupenda absolutamente dos volúmenes de conjunto de la cubierta del álbum de jazz que abarcan lp de 50 años. La mayoría, si no todos de este arte fue hecho a mano por los principales artistas gráficos como Reid Miles de Blue Note, Bob Ciano de CTI, Margo Guryan de Impulso. Fotógrafos incluyen grandes figuras como William Claxton y Leonard Herman. Los 2 tomos grandes también disponen de muchos álbumes más oscuros por los artistas de jazz europeos liberados."— Larioja.com, Logroño, Espagne
  Jazz Covers - Reviews (...  
, a sizeable volume of exceptional Jazz LP covers dating back to the 40s. The kind of vinyl you buy purely for the cover, this brings together hundreds of designs across two books, with an emphasis on the colourful midcentury atomic style graphics that covered everything from food packaging to cushion covers.
, a sizeable volume of exceptional Jazz LP covers dating back to the 40s. The kind of vinyl you buy purely for the cover, this brings together hundreds of designs across two books, with an emphasis on the colourful midcentury atomic style graphics that covered everything from food packaging to cushion covers. Helpfully, each record is accompanied by its illustrator’s name, photographer, label etc, so plenty of hard info to geek out on. Even if jazzing out in a leather recliner and cashmere sweater isn’t your thing, this is an incredible overview of design through the decades."— Selectism.com, Berlin, Allemagne
, a sizeable volume of exceptional Jazz LP covers dating back to the 40s. The kind of vinyl you buy purely for the cover, this brings together hundreds of designs across two books, with an emphasis on the colourful midcentury atomic style graphics that covered everything from food packaging to cushion covers. Helpfully, each record is accompanied by its illustrator’s name, photographer, label etc, so plenty of hard info to geek out on. Even if jazzing out in a leather recliner and cashmere sweater isn’t your thing, this is an incredible overview of design through the decades."— Selectism.com, Berlin, Deutschland
  Alex Steinweiss - Revie...  
“You don't really think of anyone "inventing" the idea of putting graphics on an album cover, but Alex Steinweiss did just that in 1940. Before he figured out that Columbia Records' releases would benefit from some bright graphic design, most discs were packaged in brown paper sleeves. And did he ever design: Drawing on Surrealism and clean modernist poster design, he gave Columbia's sleeves, and later several other labels', a completely distinctive look from the forties through the sixties. You can see an abundance of them in Alex Steinweiss: The Inventor of the Modern Album Cover, an LP-size retrospective just published by TASCHEN, with appreciations by album designer Kevin Reagan (Madonna's Ray of Light) and famed graphic designer Steven Heller.”— NYMag.com, New York, United States
“You don't really think of anyone "inventing" the idea of putting graphics on an album cover, but Alex Steinweiss did just that in 1940. Before he figured out that Columbia Records' releases would benefit from some bright graphic design, most discs were packaged in brown paper sleeves. And did he ever design: Drawing on Surrealism and clean modernist poster design, he gave Columbia's sleeves, and later several other labels', a completely distinctive look from the forties through the sixties. You can see an abundance of them in Alex Steinweiss: The Inventor of the Modern Album Cover, an LP-size retrospective just published by TASCHEN, with appreciations by album designer Kevin Reagan (Madonna's Ray of Light) and famed graphic designer Steven Heller.”— NYMag.com, New York, États-Unis
“You don't really think of anyone "inventing" the idea of putting graphics on an album cover, but Alex Steinweiss did just that in 1940. Before he figured out that Columbia Records' releases would benefit from some bright graphic design, most discs were packaged in brown paper sleeves. And did he ever design: Drawing on Surrealism and clean modernist poster design, he gave Columbia's sleeves, and later several other labels', a completely distinctive look from the forties through the sixties. You can see an abundance of them in Alex Steinweiss: The Inventor of the Modern Album Cover, an LP-size retrospective just published by TASCHEN, with appreciations by album designer Kevin Reagan (Madonna's Ray of Light) and famed graphic designer Steven Heller.”— NYMag.com, New York, Estados Unidos
  Jazz Covers - Reviews (...  
. TASCHEN, the high-end art publisher, has a reputation for first class photo and art books, all with state-of-the-art production values and superb quality overall. The German-based company, which has retail outlets here in America, has just come out with an absolutely stupendous 2-volume set of album cover art for jazz lp’s spanning 50 years...
. TASCHEN, the high-end art publisher, has a reputation for first class photo and art books, all with state-of-the-art production values and superb quality overall. The German-based company, which has retail outlets here in America, has just come out with an absolutely stupendous 2-volume set of album cover art for jazz lp’s spanning 50 years... Most if not all of this art was hand made by major graphic artists like Reid Miles of Blue Note, Bob Ciano of CTI, Margo Guryan of Impulse. Photographers include greats like William Claxton and Herman Leonard. The 2 large tomes also feature many more obscure albums by European jazz artists released only in Europe, such as pianist George Arvanitas, Rodolfo Alchurron, Gustav Brom, Polish jazz pianist and film composer Krzysztof Komeda, among others. Volume one features rare gems like the rarely-seen original Fontana Records cover of Miles Davis’ 1957 soundtrack for Louis Malle’s first film, l’Ascenseur pour l’Échafaud (Lift to the Scaffold)... In fact, many of these classic jazz albums have been out of print or never reissued, so you may see albums you’ve never seen or even heard of. There were many I’d never seen, and I’ve been following jazz for a long time, both here and in Europe, where I once lived... The cover art in these two very hefty volumes —they’ll almost break your arm off with their weight— is as timeless, stylish, and hip as the music it celebrates. What makes it even better is that it has album picks by contemporary musicians and producers like King Britt, Gilles Peterson, and Rainer Truby, as well as interviews with jazz historians like Michael Cuscuna, legendary engineer Rudy Van Gelder, Creed Taylor, and journalist Ashley Kahn."— KCRW.com, Los Angeles, États-Unis
. TASCHEN, the high-end art publisher, has a reputation for first class photo and art books, all with state-of-the-art production values and superb quality overall. The German-based company, which has retail outlets here in America, has just come out with an absolutely stupendous 2-volume set of album cover art for jazz lp’s spanning 50 years... Most if not all of this art was hand made by major graphic artists like Reid Miles of Blue Note, Bob Ciano of CTI, Margo Guryan of Impulse. Photographers include greats like William Claxton and Herman Leonard. The 2 large tomes also feature many more obscure albums by European jazz artists released only in Europe, such as pianist George Arvanitas, Rodolfo Alchurron, Gustav Brom, Polish jazz pianist and film composer Krzysztof Komeda, among others. Volume one features rare gems like the rarely-seen original Fontana Records cover of Miles Davis’ 1957 soundtrack for Louis Malle’s first film, l’Ascenseur pour l’Échafaud (Lift to the Scaffold)... In fact, many of these classic jazz albums have been out of print or never reissued, so you may see albums you’ve never seen or even heard of. There were many I’d never seen, and I’ve been following jazz for a long time, both here and in Europe, where I once lived... The cover art in these two very hefty volumes —they’ll almost break your arm off with their weight— is as timeless, stylish, and hip as the music it celebrates. What makes it even better is that it has album picks by contemporary musicians and producers like King Britt, Gilles Peterson, and Rainer Truby, as well as interviews with jazz historians like Michael Cuscuna, legendary engineer Rudy Van Gelder, Creed Taylor, and journalist Ashley Kahn."— KCRW.com, Los Angeles, USA