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Mültecileri bir kaza durumunda suyun üzerinde tutması için dağıtılan can yeleği mermerden dökülünce konunun ve yazgının ağırlığı açığa çıkıyor. Cennetten Hemen Önce videosunda yazgılarına ve çıktıkları tehlikeli yolculuğa karşı bir direnç gösteren aktörlerin bu ayakta kalma çabası nafile mi?
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Another premiere of this special exhibition is a sculpture of a life jacket. Instead of a normal life jacket, a sculpture of it made out of marble speaks for itself on this weighty issue. Is the survival effort of actors in "Just Before Paradise" resisting to their fate and their dangerous journey in vain? As Ibn Khaldun said, is geography fate?
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Baltalar özgürlüğünü, iç dünyasında çıktığı yolculuklarda arayan bir sanatçı. Onun kendini bulma, kendini ararken başkalarıyla ortaklıklarını keşfetme ve nihayetinde bulduklarını paylaşma çabası, sanatının temel motivasyonlarından biridir.
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Baltalar is an artist who tries to find his freedom during journeys into his inner world. Self-exploration, discovering what he has in common with others and finally sharing what he finds are the primary motivations of his art. At times of chaos, Baltalar retreats to his inner citadel, and tries to save what can be saved. This citadel is untouchable and he imagines that loneliness come across and speak to each other in privacy in an aggressively loud world.
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Henry David Thoreau’nun Walden Gölü kıyısındaki bir kulübede geçirdiği iki yılda kaleme aldığı, yarı oto-biyografik yarı kendini bulma arayışı eseri Walden’daki bu satırlar, Tufan Baltalar’ın “Seyir Terası” sergisiyle çıktığı ve “aralık” ile devam eden yer yer düşsel yer yer gerçek izleği çağrıştırıyor.
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American author and naturalist Henry David Thoreau once wrote, “I went to the woods / because I wished to live deliberately / to front only the essential facts of life / and see if I could not learn what it had to teach / and not, when I came to die, discover that I had not lived.” The lines of the semi-autobiographical semi self-discovery book “Walden”, in which Thoreau described the two years he’d spent in a cabin at Walden Pont without support of any kind, remind us of Tufan Baltalar’s journey - part real and part imaginary - that lead on from his previous exhibitions “Viewing Terrace” and “in between”. In the cloud and landscape series, Baltalar continues to trace the intimate encounter of human and nature. The artist’s canvas paintings in different sizes stem from photographs taken during his frequent bike sessions and draw attention to the potential of the landscape genre for representing inner experience.
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Henry David Thoreau’nun Walden Gölü kıyısındaki bir kulübede geçirdiği iki yılda kaleme aldığı, yarı oto-biyografik yarı kendini bulma arayışı eseri Walden’daki bu satırlar, Tufan Baltalar’ın “Seyir Terası” sergisiyle çıktığı ve “aralık” ile devam eden yer yer düşsel yer yer gerçek izleği çağrıştırıyor.
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir pilotgaleri.com comme domaine prioritaire
American author and naturalist Henry David Thoreau once wrote, “I went to the woods / because I wished to live deliberately / to front only the essential facts of life / and see if I could not learn what it had to teach / and not, when I came to die, discover that I had not lived.” The lines of the semi-autobiographical semi self-discovery book “Walden”, in which Thoreau described the two years he’d spent in a cabin at Walden Pont without support of any kind, remind us of Tufan Baltalar’s journey - part real and part imaginary - that lead on from his previous exhibitions “Viewing Terrace” and “in between”. In the cloud and landscape series, Baltalar continues to trace the intimate encounter of human and nature. The artist’s canvas paintings in different sizes stem from photographs taken during his frequent bike sessions and draw attention to the potential of the landscape genre for representing inner experience.