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  Archiwum | Brave Festival  
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Czwarta edycja Brave Festival zatytułowana była "Rytuał zaczyna się w Afryce". Zaprezentowana twórczość afrykańskich artystów oraz zwykłych ludzi pozwoliła widzom na odkrycie nieznanego piękna Czarnego Lądu, pozwalając odkryć rdzeń tamtej kultury - rytuał.
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The fourth edition of Brave Festival was entitled "The Ritual Starts in Africa". The work of both African artists and others which was presented during this edition enabled spectators to witness new, unknown qualities of the continent and allowed them to discover the core of African culture – the ritual. The festival gave spectators the chance to learn about unique practices, to meet people from culturally distant regions and to learn about various artistic forms of "the dying world". The schedule of the festival consisted of, among other events, performances of dancers and musicians of the Fula tribe from Niger, performances by the women of the Tanzanian Wagogo tribe and many concerts, film showings, workshops, meetings and discussions with invited guests.
  Tanna w wyścigu nieangl...  
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XX wieku historia ta nie zdarzyła się naprawdę. Bohaterka filmu, piękna Wawa, w celu zachowania pokoju na wyspie, oddana zostaje sąsiedniemu plemieniu. Dzieje się to jednak wbrew jej woli – z wzajemnością kocha wojownika z własnej osady.
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, carried over into the setting of one of the Oceanic islands – the film's namesake, Tanna. It could be, had it not happened in the 1980s for real. The film's heroine, the beautiful Wawa, is given over to a neighboring tribe in order to maintain peace on the island. This happens against her will, however, as she is mutually in love with a warrior from her own village. The youths rebel against ancient traditions and taboos, setting against them their own great love. Respected Australian documentary-makers Bentley Dean and Martin Butler debut with a feature film, keeping an eye for detail, using non-professional actors and natural scenery. They share the legend of the Yakel tribe through this visually stunning film, full of color and eroticism, which was lauded during Critics' Week at last year's Venice Film Festival.