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  Hubert von Goisern - De...  
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Ergo: "Als junger Mann wollte ich nicht eine Musik machen von Leuten, die ich nicht mag." Also sei er "als Kind der 60er-Jahre mit Popmusik aufgewachsen". Allerdings: "Erst im Ausland bin ich draufgekommen, was da noch fehlt."
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Ergo: "As a young man I didn't want to play music from people I didn't like." So "as a child of the 60s I grew up with pop music". Though: "It wasn't until I was abroad that I realised what was missing."
  Hubert von Goisern - Al...  
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Das musste Goisern wenige Tage vor Eröffnung der Ausstellung selbst erfahren. Er setzte zu einem Jodler an und wurde prompt von deutschen Urlaubern belehrt: "Junger Mann, da müssen sie wohl noch üben."
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On the day of the opening, guests on Franz-Josef-Höhe waited in vain for a musical message from the world musician. "I wanted to play something. But I decided against it two months ago. The peak isn't acoustically conducive." Goisern found that out for himself a few days before the opening of the exhibition. He offered up a yodel and was promptly told by a German tourist: "Young man, you still need to practise." And so on Monday it was a verbal message. Tolerance was the subject. All too often the impression arises that things seen from afar appear familiar and close. But with increasing proximity, suddenly distance and alienation arises. That holds true in the mountains too. Someone moving from one valley to another often permanently remains a "Zuagroaster", an "outsider".
  Hubert von Goisern in A...  
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Nur: hören war nicht genug. Von Goisern wanderte als junger Mann weit durch die Welt, er inhalierte die musikalischen Elemente, die ihm unterwegs begegneten. Seine Reisen durch Südamerika und Asien führten ihn zu einer Offenbarung über sein eigenes Erbe.
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Just listening wasn't enough. Von Goisern eventually wandered far and wide as a young man, taking in whatever musical elements he could along the way. His travels through South America and Asia for non-musical reasons led him to a revelation about his own heritage. "My fascination with other musical traditions developed during those times and made me question and reflect on my rejection of my own tradition. It was during my stay in the Philippines, that I decided to deconstruct alpine music and give it a new perspective. One of our slogans back then was: let's snatch the lederhosen from the Nazis."