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Ausgangssprachen Zielsprachen
Keybot 2 Ergebnisse  designconcern.com
  RETROcedările OWR  
Filmul lui e un memento esențial care ne oferă șansa de a reflecta asupra modului în care funcționează astăzi un sistem represiv, asupra implicațiilor dramatice pentru activiștii politici care aleg să i se împotrivească și asupra responsabilității noastre, a tuturor, de a-i sprijini în acțiunile lor eroice.
This film closely follows the Russian show trial of Ukrainian filmmaker Oleg Sentsov, a former participant in the Euromaidan protests and a militant against the annexation of the Crimean Peninsula. For some, this may be a chronicle with an ending foretold, given that Sentsov has already been sentenced to twenty years in prison, having been charged with arms trafficking and with organizing a terrorist cell. But by focusing on this case, which has become part of collective memory, director and cameraman Askold Kurov produces an important record which gives us an opportunity to reflect on the inner functioning of a repressive system, on the repercussions for those who stand against such regimes, and on our own responsibility to support them in their heroic acts.
  Klára Trencsényi în viz...  
Am vrut să vorbesc despre o generație anume - copii cu vârste cuprinse între 10 și 14 ani în Ungaria de astăzi, și am căutat un mod de a prezenta problemele lor, de care eram foarte conștientă. Am explorat diferite locuri, am contactat cluburi de teatru, am fost în școli...
Basically I wanted to talk about a particular generation - kids between 10 and 14 in today's Hungary, and I was looking for a way to present their problems as I was very aware of them. I was looking for places, I contacted drama clubs and went to schools... In the end, I found the train by chance. I did know there was such a train in the 50s and 60s, but I wasn't aware it was still running. So I ran into one of the stations by accident and I suddenly realized that this thing from the past, this train is a very valuable metaphor to talk about the present and about these children, because it's exactly the children between 10 and 14 who work in the train. And they are not some strange guys, they are not "weird", they are completely average kids who find their place in today's society within this railway. These kids represent all the problems and all the good things of this generation, so it's OK to talk through them about the problems I wanted to talk about.