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“The architecture of the late Societ period in the USSR and its satellites is varioulsy neo-expressiontist, Gaudiesque, construtivist, kitsch, Breznhav-plays-Vegas, Chaubin is an assiduous traveller and fine photographer. This is a timely record of buildings that are crumbling, not least because thay are monuments to a former tryranny.”— Icon Magazine, London, United Kingdom
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“The architecture of the late Societ period in the USSR and its satellites is varioulsy neo-expressiontist, Gaudiesque, construtivist, kitsch, Breznhav-plays-Vegas, Chaubin is an assiduous traveller and fine photographer. This is a timely record of buildings that are crumbling, not least because thay are monuments to a former tryranny.”— Icon Magazine, London, Royaume-Uni
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“The architecture of the late Societ period in the USSR and its satellites is varioulsy neo-expressiontist, Gaudiesque, construtivist, kitsch, Breznhav-plays-Vegas, Chaubin is an assiduous traveller and fine photographer. This is a timely record of buildings that are crumbling, not least because thay are monuments to a former tryranny.”— Icon Magazine, London, Großbritannien
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“CCCP, the playful acronym of this tome, suggests the irreverent, ironic glance it casts at Soviet architecture. The photographs taken across the former Soviet Union capture all the kitschy minutiae and over-the-top monumentalism of state-controlled design, manifest in everything from a House of Happiness in Kyrgyzstan to circus buildings in Moldova and Tatarstan.”— Globe and Mail, Toronto, Canadá
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