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  Hamburg Mappe  
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Adams Dennis. Beuys Joseph. Bloom Barbara. Böhmler Claus. Brehmer KP. Brehmer / Corner KP / Philip. Broodthaers Marcel. Burchill Janet. Cage John. Chiari Giuseppe. Corner Philip. Cragg Tony. Dunn Richard.
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Abramovic Marina. Aladag Nevin. Altindere Halil. Bajevic Maja. Boyadjiev Luchezar. Christiansen Henning. Dakic Danica. Dimitrijevic Braco. Dolven A K. Eichhorn Maria. Erkmen Ayse. Ferri Jakup. Hatoum Mona. Hila Edi. IRWIN . Ivekovic Sanja. Kameric Šejla. Karamustafa Gülsün. Kozlowski Jaroslaw. Kwade Alicja. Mahn Inge. Martek Vlado. Metzel Olaf. Murtezaoglu Aydan. Musovik Oliver. Nørgaard Bjørn. Özsecen Ebru. Perjovschi Dan. Potrc Marjetica. Sala Anri. Sangar Bülent. Santos Carles. Sarkis . Shkololli Erzen. Solakov Nedko. Stilinovic Mladen. Todosijevic Raša. Tomaševic Jelena. Tomic Milica. Tót Endre. Toufic Jalal. Tur Nasan. Vassileva Mariana. Cetinje Mappe.
  Hamburg Mappe  
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Adams Dennis. Beuys Joseph. Bloom Barbara. Böhmler Claus. Brehmer KP. Brehmer / Corner KP / Philip. Broodthaers Marcel. Burchill Janet. Cage John. Chiari Giuseppe. Corner Philip. Cragg Tony. Dunn Richard.
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir editionblockberlin.de comme domaine prioritaire
Abramovic Marina. Aladag Nevin. Altindere Halil. Bajevic Maja. Boyadjiev Luchezar. Christiansen Henning. Dakic Danica. Dimitrijevic Braco. Dolven A K. Eichhorn Maria. Erkmen Ayse. Ferri Jakup. Hatoum Mona. Hila Edi. IRWIN . Ivekovic Sanja. Kameric Šejla. Karamustafa Gülsün. Kozlowski Jaroslaw. Kwade Alicja. Mahn Inge. Martek Vlado. Metzel Olaf. Murtezaoglu Aydan. Musovik Oliver. Nørgaard Bjørn. Özsecen Ebru. Perjovschi Dan. Potrc Marjetica. Sala Anri. Sangar Bülent. Santos Carles. Sarkis . Shkololli Erzen. Solakov Nedko. Stilinovic Mladen. Todosijevic Raša. Tomaševic Jelena. Tomic Milica. Tót Endre. Toufic Jalal. Tur Nasan. Vassileva Mariana. Cetinje Mappe.
  EDITION BLOCK  
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Neben der Herausgabe von Einzelblättern verschiedener Künstler wurden immer wieder Portfolios aufgelegt, wie etwa 1967 eine Leinenkassette mit dem Titel "Grafik des Kapitalistischen Realismus", die Siebdrucke von KP Brehmer, KH Hödicke, Konrad Lueg, Sigmar Polke, Gerhard Richter und Wolf Vostell enthielt.
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Edition Block’s interest has always not only been on limited editions of objects, but above all on prints and the various printing techniques. Alongside bringing out individual sheets by various artists, it has repeatedly published portfolios, such as the 1967 canvas boxed set entitled "Grafik des Kapitalistischen Realismus" containing silkscreens by KP Brehmer, KH Hödicke, Konrad Lueg, Sigmar Polke, Gerhard Richter and Wolf Vostell. This was followed in 1971 by the book "Grafik des Kapitalistischen Realismus" with lists of the works of the same artists from 1960 to 1971. That same year, the company also launched "Weekend", a suitcase with block prints by KP Brehmer, silkscreens by KH Hödicke, Arthur Køpcke and Wolf Vostell, offset lithos by Peter Hutchinson and Sigmar Polke as well as an object by Joseph Beuys. And in 1988 the Edition issued a portfolio of prints entitled "Aus Australien", containing 40 sheets by 8 Australian artists. Not only did it present the Australian art scene to a European audience hitherto unfamiliar with it, but also serves as proof of how the center and the periphery mutually permeate each other in the cultural context – a topic that publisher (and later curator) René Block was to concentrate on in depth in the years to come. Block also pursued the strategy of bringing together several artists for a single joint edition, as nascent in the prints portfolios, on other occasions, too. "En Bloc" (1969–72), for example, a castor-based wooden container boasted drawers containing objects made by 19 renowned German artists – today, it is a miniature museum.
  EDITION BLOCK  
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Neben der Herausgabe von Einzelblättern verschiedener Künstler wurden immer wieder Portfolios aufgelegt, wie etwa 1967 eine Leinenkassette mit dem Titel "Grafik des Kapitalistischen Realismus", die Siebdrucke von KP Brehmer, KH Hödicke, Konrad Lueg, Sigmar Polke, Gerhard Richter und Wolf Vostell enthielt.
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir editionblockberlin.de comme domaine prioritaire
Edition Block’s interest has always not only been on limited editions of objects, but above all on prints and the various printing techniques. Alongside bringing out individual sheets by various artists, it has repeatedly published portfolios, such as the 1967 canvas boxed set entitled "Grafik des Kapitalistischen Realismus" containing silkscreens by KP Brehmer, KH Hödicke, Konrad Lueg, Sigmar Polke, Gerhard Richter and Wolf Vostell. This was followed in 1971 by the book "Grafik des Kapitalistischen Realismus" with lists of the works of the same artists from 1960 to 1971. That same year, the company also launched "Weekend", a suitcase with block prints by KP Brehmer, silkscreens by KH Hödicke, Arthur Køpcke and Wolf Vostell, offset lithos by Peter Hutchinson and Sigmar Polke as well as an object by Joseph Beuys. And in 1988 the Edition issued a portfolio of prints entitled "Aus Australien", containing 40 sheets by 8 Australian artists. Not only did it present the Australian art scene to a European audience hitherto unfamiliar with it, but also serves as proof of how the center and the periphery mutually permeate each other in the cultural context – a topic that publisher (and later curator) René Block was to concentrate on in depth in the years to come. Block also pursued the strategy of bringing together several artists for a single joint edition, as nascent in the prints portfolios, on other occasions, too. "En Bloc" (1969–72), for example, a castor-based wooden container boasted drawers containing objects made by 19 renowned German artists – today, it is a miniature museum.
  EDITION BLOCK  
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Die Auflagen der Edition Block entstanden zunächst in Zusammenarbeit mit Künstlern der Galerie wie Wolf Vostell, Joseph Beuys, KP Brehmer, KH Hödicke, Sigmar Polke, Palermo oder Konrad Lueg und Künstlern der internationalen Fluxus-Bewegung wie Nam June Paik, Arthur Köpcke, Dieter Rot und Robert Filliou.
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The first Edition Block editions were produced in collaboration with artists associated with the gallery, such as Wolf Vostell, Joseph Beuys, KP Brehmer, KH Hödicke, Sigmar Polke, Palermo or Konrad Lueg and members of the international Fluxus movement, such as Nam June Paik, Arthur Køpcke, Dieter Rot and Robert Filliou. In the years that followed, the program was constantly expanded to include new artists and the latest art forms, and was always influenced by René Block’s Fluxus principle of artistic networking and his interest in the periphery and "artistic side-waters". The result was multiplied artworks such as prints, objects, books, not to mention audio and video works. The two first pieces brought out by Edition Block in 1966 were Wolf Vostell’s "Klammerbuch", which contained the texts on two of his Berlin happenings, as well as Joseph Beuys’ "... mit Braunkreuz", a linen boxed set containing a drawing, a felt cross cut in half, and two texts. According to René Block, Joseph Beuys was initially little interested in making limited edition objects. This soon changed once he recognized the opportunities multiples offered as regards distribution and reach, as they offered him a means to intensifying the relationship to the works’ owners and guiding reception. The first multiple object Beuys made was "Evervess II 1", which he brought out with Edition Block in 1968 in a series of 40 and which highlights his interest in multiplied art. A small wooden box divided into two compartments contained two sodawater bottles of the Evervess brand. One bottle has not been altered, while the other boasts labels made of felt strips. The sliding top to the box contains instructions for the ‘user’: "Sender beginnt mit der Information, wenn >II
  EDITION BLOCK  
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Dazu gehörten beispielsweise eine Folge von fünf frühen Klischee-Tondrucken von KP Brehmer aus den 1960er Jahren (die als Sonderedition neu aufgelegt wurden), neue Offsetlithografien von Richard Hamilton und Claus Böhmler oder eine Serie von Ilya Kabakov, Olaf Metzel und Lawrence Weiner, die in Form von Einzelblättern zur Ausstellung "Chronos & Kairos" 1999 erschien.
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From 1993 to 1996, René Block worked for Institut für Auslandsbeziehungen in Stuttgart, and from 1997 to 2006 was Director of Kunsthalle Fridericianum in Kassel. His career took him through different fields of activity involving artists and their works, and we can discern a gradual movement away from supporting artists to art museums, and yet it also saw him working on international shows, above all for biennials the world over. During this time, the Edition was inactive, but Block the publisher was not, increasingly focusing on prints. Thus, during his time in Kassel as Director of Kunsthalle Fridericianum, in connection with exhibition projects there it brought out several editions of prints. They included a series of five early block clay prints by KP Brehmer dating from the 1960s (which were re-issued as a special edition), new offset lithographs by Richard Hamilton and Claus Böhmler as well as a series by Ilya Kabakov, Olaf Metzel and Lawrence Weiner, that appeared in the form of individual sheets accompanying the "Chronos & Kairos" show in 1999. In connection with various biennial exhibitions Block curated he was able to persuade the institutions behind the shows to dare produce portfolios of prints. In 1985, "Dem Frieden eine Form geben" appeared on the occasion of the Peace Biennial in Hamburg, a linen boxed set with seven sheets and one object. Robert Filliou, the biennial’s initiator, planned it with the goal of re-uniting "art, science and wisdom" in order to achieve a "new authenticity" and thus contribute to peace being achieved. In other words, the portfolio was a logical way of leaving the local platform of Hamburg and made the artists’ proposal known to a supra-regional audience. In 1990, it was followed by a portfolio called "The Readymade Boomerang" for the Sydney Biennial, that traced the history of the ready-mades and the development of the object since Marcel Duchamp, Man Ray and Francis Picabia, juxtaposing this to the works of contemporary artists. The portfolio contained 22 sheets that reflected the theme of the exhibition in terms of content/history and at the practical level. The results are correspondingly diverse, for the experimentation with the most diverse of printing techniques gave rise to a set of prints that reflect an entire epoch of developments in prints. Five years later the "Orient/ation" portfolio appeared on the occasion of the 1995 Istanbul Biennial, containing 17 sheets and one object. The biennial focused on a