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  Pace Gallery - Pace Ope...  
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Hong Hao
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洪浩
  Pace Gallery - Hong Hao...  
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Hong Hao at Museum of Modern Art in Bologna (MAMbo)
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洪浩在意大利博洛尼亚现代美术馆（MAMbo）新展开幕
  Pace Gallery - "Talking...  
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This exhibition also includes wonderful works from Ding Yi, Hong Hao, Alfred Jensen, Robert Mangold, Ma Qiusha, Elizabeth Murray, Thomas Nozkowski, Oldenburg/ van Bruggen, Qiu Xiaofei, James Siena, Keith Sonnier, Song Dong, Sui Jianguo, Sun Xun, Keith Tyson, and Wu Jian’an.
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此次展出的作品还将包括丁乙、洪浩、Alfred Jensen、Robert Mangold、马秋莎、Elizabeth Murray、Thomas Nozkowski、Oldenburg/van Bruggen、仇晓飞、James Siena、Keith Sonnier、宋冬、隋建国、孙逊、Keith Tyson、邬建安等艺术家的精彩作品，共同呈现纸上作品的独特魅力。展览将持续展出至6月11日。
  Pace Gallery - "Form Th...  
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Palo Alto—Pace Gallery is pleased to present Form through Narrative, a group exhibition of contemporary Chinese artists featuring works by Hong Hao, Liu Jianhua, Song Dong, Wang Guangle, Xie Molin and Yin Xiuzhen.
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Form through Narrative is a survey of leading Chinese artists whose multi-generational practices explore themes of place, identity and tradition. For the contemporary Chinese artists in this exhibition, art is rooted in storytelling and the narratives surrounding their lives. Form through Narrative features recent works by artists who were educated in conventional, representational modes of picture-making but gradually abandoned them. While narrative becomes apparent in the process, background and content, the artists on view purposely departed from representational aesthetics to reach complete abstraction.
  Pace Gallery - "Form Th...  
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Liu Jianhua’s installation Square (2014), consisting of 64 individual steel sheets and gold-glazed porcelain pools, is currently on view in Viva Arte Viva at the 57th International Art Exhibition – La Biennale di Venezia. With the excesses of modern consumerism in mind, Hong Hao, who trained in printmaking, digitally scans the bases of everyday objects to visually deconstruct their functional properties.
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Confronting common perceptions of wealth in Asia, Song Dong’s works on paper repurpose discarded materials that relate to themes of accumulation and waste. By frying them in a vat of oil, he creates varied abstractions while responding to the rich culinary traditions of China. With similar concerns in mind, Song Dong’s Through the Wall(2016), a large-scale installation presented at this year’s Unlimited at Art Basel, uses reclaimed door and window frames to reflect on the contrasts between historic and contemporary forces that shape society. I Don't Know the Mandate of Heaven, presented this year at the Rockbund Art Museum, Shanghai, was Song Dong’s first major survey exhibition in eight years.