dono – Übersetzung – Keybot-Wörterbuch

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  IFAD - International Fu...  
Indirizzo: Via Paolo di Dono, 44
Address: Via Paolo di Dono, 44
  Cheng Du / Ristoranti /...  
Indirizzo: Via Paolo di Dono, 23
Address: Via Paolo di Dono, 23
  Teatri / Luoghi e utili...  
Indirizzo: Via Paolo di Dono, 218
Address: Via Trebula, 5
  Palazzo di Montecitorio...  
L’attuale sede della Camera dei Deputati sorge sull’area già occupata dal cinquecentesco Palazzo Gaddi. L’edificio venne commissionato nel 1653 a Gianlorenzo Bernini da Innocenzo X Pamphilj, che intendeva farne dono alla famiglia Ludovisi.
The present seat of the Chamber of Deputies stands on an area occupied by the 15th century Palazzo Gaddi. The building was entrusted in 1653 to Gianlorenzo Bernini by Innocent X Pamphilij, who wanted to give it to the Ludovisi family. In 1694 Innocet XII Pignatelli decided to convert it into the seat of the State Law Courts and entrusted the works to Carlo Fontana. In 1871 the palace became the seat of the Chamber of Deputies but, being insufficient for its new functions, it was enlarged according to the project by Ernesto Basile who, between 1908 and 1927, added the new body containing the present Parliament hall and realized the facade onto Piazza del Parlamento.
  Basilica di Santa Maria...  
Sui muri della navata centrale, al di sopra della trabeazione, sono visibili riquadri a mosaico risalenti al V secolo, importante testimonianza artistica dell’epoca del basso Impero. Il soffitto risale al tempo di Alessandro VI Borgia (1492-1503) e, secondo la tradizione, venne dorato col primo carico di oro americano, dono di Isabella di Spagna.
(votive chapel) is partly due to Arnolfo di Cambio. On the floor outside the chapel a simple marble slab closes the tomb of the Bernini family, where Gian Lorenzo was also buried. Symmetrical with the Sistine Chapel and just as sumptuous, the Pauline Chapel opens on the left nave. It was designed for Paul the Fifth Borghese (1605-1621) by Flaminio Ponzio. In comparison with the Sistine Chapel, the Pauline Chapel presents a higher quality of pictorial decoration that was in part painted by Cavalier d’Arpino and Guido Reni. The sacristy of the chapel can be accessed from the right of the altar. The sacristy leads to another chamber, where a Madonna with Child by Beccafumi and a Slope to the Calvary by Antonio Bazzi called the Sodoma are kept. Members of the Borghese family are buried in the cellars of the Pauline Chapel, including Pauline Bonapart, sister of Napoleon the First. Proceeding down the left nave there is the spectacular Sforza Chapel with an elliptical plan designed by Michelangelo and built by Tiberio Calcagni and Giacomo della Porta between 1564 and 1573.
  San Nicola dei Lorenesi...  
Nel 1508 la comunità si costituì in Confraternita posta sotto la protezione di S. Nicola e S. Caterina. In seguito Gregorio XV (1621-23) le fece dono della chiesa di S. Caterina in Agone. Questa venne poi restaurata diverse volte e fu ricostruita secondo il progetto dell’architetto francese François du Jardin: iniziata nel 1625, la costruzione fu portata a termine nel 1636 e dedicata a S. Nicola dei Lorenesi.
S. NICOLA DEI LORENESI One has data about a community of Lorrainesesalready with C. XIV. They often worked within the Curia Romana editing andsending papal pulls and papal brevii. In 1508 the community turned into aConfraternita under the patronage of S. Nicola and S. Caterina. Further on,Gregorio XV (1621-23) made them a donation of the church of S. Caterina inAgone. The latter was then restored numerous times and finally rebuilt underthe project of the French architect François du Jardin: the construction wasinitiated in 1625, completed in 1636, and dedicated to S. Nicola dei Lorenesi. The façade embodies two orders. In the middlethe entry portal opens up with two empty niches by the sides. On the upperlevel we find a central window. The interior is based on a rectangular planwith a vaulted ceiling and two side chapels. The internal coating made ofpolychrome marbles was carried out by Giovanni Andrea Volponi and GiuseppeMaria Bay (1748). Vault and dome were frescoed by Corrado Giaquinto (1703-1765).Particular attention should be given to the stucco bas-reliefs by GiovanniBattista Grossi dating back to the second half of the 1700s.