deithiau – Traduction – Dictionnaire Keybot

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  Wallpaper | Oriel Davie...  
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Gallai’r rhai hynny sy’n edrych arnynt deimlo empathi drostynt. Maen nhw’n mynd ar beth sy’n ymddangos yn deithiau unigol er gwaethaf cael eu cyflwyno ar adegau mewn cyplau neu grwpiau bychain. Maen nhw’n ymdrechu i lywio neu blannu eu hunain oddi fewn i systemau, codau a strwythurau euhamgylcheddau, tra’n parhau i fod yn agored i’r gwir yn y pen draw y bydd eu bodolaeth yn unig a bod posibiliad y bydd eu hymdrech i chwilio am ystyr yn ofer.
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As viewers we might feel concern or empathy for them. They embark on seemingly individual journeys despite occasionally being presented in couples or small groups. They endeavour to navigate or embed themselves within the systems, codes and structures of their environments while remaining exposed to the ultimate truth that their existence will be solitary and their search for meaning potentially futile.
  Oriel Davies yn cyhoedd...  
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www.orieldavies.org Mae’r Oriel yn trefnu ac yn mynd â arddangosfeydd arloesol, sy’n cynnwys artistiaid o Gymru, o rannau eraill o’r DU ac artistiaid rhyngwladol, ar deithiau, ac mae’n darparu rhaglen addysg gelf gynhwysfawr.
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7. Oriel Davies is an independent public art gallery based in Mid Wales. www.orieldavies.org The Gallery organises and tours innovative exhibitions featuring artists from Wales, other parts of the UK and internationally, and provides an extensive art education programme. Oriel Davies is a Registered Charity no: 1034890 and is revenue funded by the Arts Council of Wales and Powys County Council.
  Oriel Davies yn cyhoedd...  
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7. Mae Oriel Davies yn oriel gelf gyhoeddus annibynnol a leolir yng Nghanolbarth Cymru. www.orieldavies.org.Mae'r Oriel yn trefnu arddangosfeydd arloesol ac yn eu hanfon ar deithiau. Mae’r rhain yn cynnwys artistiaid o Gymru, rhannau eraill o'r DU, a rhai rhyngwladol, ac mae hefyd yn darparu rhaglen addysg eang.
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7. Oriel Davies is an independent public art gallery based in Mid Wales. www.orieldavies.org The Gallery organises and tours innovative exhibitions featuring artists from Wales, other parts of the UK and internationally, and provides an extensive art education programme. Oriel Davies is a Registered Charity no: 1034890 and is revenue funded by the Arts Council of Wales and Powys County Council.
  Cefnogwch ni, ymunwch â...  
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Caiff ffrindiau eu dewis o’r cyhoedd cyffredin ac mae croeso mawr i unrhyw un sydd â diddordeb mewn unrhyw agwedd o’r byd celf i ymuno â ni. Mae’r Cyfeillion yn trefnu rhaglen amrywiol o deithiau a digwyddiadau cymdeithasol, sy’n cynorthwyo i godi arian i’r Oriel.
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The Friends of Oriel Davies are an active group of individuals, dedicated to supporting Oriel Davies Gallery and creating a strong link between the Gallery and its audiences. Friends are drawn from the general public and anyone with an interest in any aspect of art are very welcome to join. The Friends organise a varied programme of trips and social events, which help to raise funds for the Gallery. Friends also help out at previews and events and with reception desk and exhibition invigilation.
  Blasu moderniaeth: y ch...  
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Roedd eu hyfforddiant cynnar mewn hanes celf yn gyffredin ac yn nodweddiadol o’r hyfforddiant a roddwyd i ferched ifanc cyfoethog y cyfnod - roedd eu hysgol yn canolbwyntio ar weithgareddau diwylliannol a buont ar nifer o deithiau addysgiadol dramor.
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The formulation of their taste(s) is one that has been the subject of much discussion. Their early art history training was unremarkable and typical of monied young ladies of the period – their schooling focused on cultural pursuits and they undertook several educational trips abroad. Unusually though, Margaret attended a series of art history lectures in Dresden in 1907 from which her notes survive, yet these betray an as yet undeveloped critical faculty - (“Adriaen Brower – a genius but takes always coarse types”). Educated as they were within such a culturally constructed framework of taste and value, there is no doubt that they were guided initially in what to look at and why it was ‘good’, bringing to mind E. M. Forster’s 1908 description, in A Room with a View, of Lucy Honeychurch abandoned in Santa Croce, without Baedeker: