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Keybot 25 Results  www.cirquedusoleil.com  Page 8
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After dancing with Philippe Decouflé, she became his choreographic assistant and started working as a producer and director with his company DCA, a role she undertook in all his creations from Codex (1986) to Shazam (1997).
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Comme directrice de création associée d’IRIS, Pascale Henrot est le trait d’union entre le metteur en scène, ses idées et les autres concepteurs. Toujours présente sur le terrain, elle veille à ce que les désirs et la vision multidisciplinaire du metteur en scène se concrétisent sur scène. « Dans IRIS, les numéros acrobatiques sont intimement liées à la trame du spectacle – une création qui pose un regard poétique, ludique et inventif sur le cinéma », dit-elle.
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before becoming one of the mainstays of the company, leaving his mark on many other DCA creations. Dancer and video-maker Olivier Simola then began to work closely with Philippe Decouflé. By fusing his two principal areas of expertise – dance and video – he contributes to shaping the singular worlds of choreographers such as Benjamin Millepied and Michael Baryshnikov.
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Diplômée de l’École de théâtre de l’Université Ryerson, au Canada, Andrea Ziegler a été danseuse, chanteuse et a incarné des personnages au cours de 20 dernières années pour le compte de compagnies de renom telles que La La La Human Steps, Les Grands Ballets Canadiens (Casse-Noisette), Livent (The Phantom of the Opera), Dragone (A New Day avec Céline Dion) et le Cirque du Soleil. Au Cirque, Andrea a été artiste dans les spectacles Mystère et Quidam ainsi que dans de nombreux événements spéciaux aux quatre coins du monde. Andrea Ziegler a aussi agi à titre de professeure de danse pour le spectacle Viva ELVIS. Michael Jackson ONE devient sa première collaboration en tant que chorégraphe acrobatique.
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Pascale produced a show called Triton et les petites tritures as one of the events associated with the FIFA World Cup held in France in 1998, and after leaving DCA, she worked with artistic directors Andre Heller and Philippe Decouflé on the preparations for the opening ceremony of the 2006 FIFA World Cup in Berlin.
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From 1978 to 1987 she worked in Lyon with choreographer Régine Chopinot, then in Paris with Daniel Larrieu’s company Astrakan and Andrew De Groat’s company Red Notes. After dancing with Philippe Decouflé, she became his choreographic assistant and started working as a producer and director with his company DCA, a role she undertook in all his creations from Codex (1986) to Shazam (1997). She also worked as a director and company administrator in the creation of commercials and other short films by Philippe.
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Christophe Waksmann has more than twenty show recordings to his credit, notably for Gilles Verièpe’s company, the Équilibres company and the collective AOC. He has danced in several DCA productions as well as supporting Philippe Decouflé with his video experiments.
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Christophe’s approach combines art and technology, paving the way for a new category of artist: “dancer/cameraman.” A computer expert from a young age, he spent eight years at the Centre chorégraphique Les Planches in Grenoble, where he developed his multiple talents. After expanding his versatility with the Skalen company and Christiane Blaise’s company, Christophe completed his video training at the Université Grenoble-III in the late 1980s.
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After studying at the Conservatoire national de région (CNR) in Grenoble and at the Conservatoire national supérieur musique et danse de Lyon, Olivier Simola acquired his first professional experience working with numerous choreographers including Andy Degroat, Jean-François Duroure, Joël Borges et Christophe Salengro. In 1995, he joined the dance company DCA founded by Philippe Decouflé.
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Parris was a 2008 show cast member in Monsters of Hip Hop and is now a member of the Faculty that teaches all through the USA. She was awarded the 2012 World of Dance Female Choreographer of the year in the USA. She has taught throughout the USA, Europe, Asia, Australia and all throughout New Zealand. She is the director of her own studio – The Palace Dance Studio in Auckland where she also teaches. Michael Jackson ONE marks her first collaboration with
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In 1983 he gathered together a group of artists and artisans who have been with him ever since as members of his dance company DCA, which has created scores of playful and fantastic productions that represent a veritable revival in contemporary dance.
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Para Philippe, la cooperación con otros es esencial en su proceso. En 1983 reunió un grupo de artistas y artesanos que habían estado con él como miembros de su compañía de danza DCA, la cual creó la música de producciones fantásticas y divertidas que representaron un verdadero resurgimiento en la danza contemporánea.
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French stage and film director, artistic director, dancer and choreographer Philippe Decouflé trained in many disciplines. His earliest ambition was to become a cartoonist, but after studying at Annie Fratellini’s circus school and Marcel Marceau’s mime school, he turned to modern dance and came into contact with choreographers such as Merce Cunningham and Alwin Nikolais.
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before becoming one of the mainstays of the company, leaving his mark on many other DCA creations. Dancer and video-maker Olivier Simola then began to work closely with Philippe Decouflé. By fusing his two principal areas of expertise – dance and video – he contributes to shaping the singular worlds of choreographers such as Benjamin Millepied and Michael Baryshnikov.
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Hailing from the visual arts world, Jimmy Lakatos has followed an atypical career path that has led him to what he calls “video set design” – his specialty. In Montreal, he pioneered the use of video in shows and public places. A longtime collaborator of directors Michel Lemieux and Victor Pilon, Jimmy is one of the cofounders of Artificiel, a Montreal-based multidisciplinary digital creation group whose works have been seen at festivals and in museums throughout Europe, Latin America and North America. He has also designed multimedia installations for museum exhibits as well as video projections for a number of shows, televised galas and commemorative events. Several companies from the North American cultural scene have called upon his services as a multimedia designer.