kaa – -Translation – Keybot Dictionary

  db-artmag.de  

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So dreht sich die Spirale - das in seinem Werk am häufigsten wiederkehrende Motiv - nicht nur in Duchamps' Film Anémic Cinéma (1926). Man begegnet ihr auch in den Augen der Schlange Kaa in Walt Disneys Dschungelbuch (1967) oder in tausenden von Comics.

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That sounds a lot like esoterism and New Age. An artist following in the footsteps of Aldous Huxley and Carlos Castaneda, whose reports on the consciousness-expanding aspects of their drug experiences once made them counter-culture heroes? In any case, a glance at Marti's work makes one thing clear: his photo works, films, and ceramics, staged as seductive fetishes in elaborate settings, look extremely good. Their decorative surfaces invite us to follow the artist on his trip, which not only leads through regions beyond reality and rationality, but also through the whole of art history. The amazing thing is that he succeeds in giving images back their original power, even those that have become reduced to cliché. Thus, the spiral-the most recurrent form in his work-twirls not only in Duchamp's film Anémic Cinéma (1926); one also sees it in the eyes of the snake Kaa in Walt Disney's Jungle Book (1967) and in thousands of comics. At the same time, the spiral is also an ancient mythological symbol. Marti's works draw from these prehistoric images imbedded deep in the human subconscious.

  trendwatching.com  

Show textShow cached sourceOpen source URL	Im November 2012 haben 20 Restaurants in São Paulo – darunter erstklassige Adressen wie Jun Sakamoto, Kaa und Girarrosto – eine Initiative ins Leben gerufen, deren Prinzip darin bestand, dass Gerichte in kleineren Portionen serviert und gleichzeitig voll berechnet wurden.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine trendwatching.com as primary domain	La Fabrica Del Taco est un restaurant mexicain dans le quartier chic de Palermo à Buenos Aires qui offre une partie de ses commandes à emporter à des associations locales d'aide aux sans-abris. En juillet 2012 (au milieu de l'hiver argentin), le restaurant a lancé sa campagne "Vendeurs sans-abris", qui a vu cinq SDF locaux parler de la vie dans la rue. Les publicités visaient à rappeler aux gens que même s'ils n'avaient pas envie de sortir aussi fréquemment en hiver, leurs commandes pouvaient toujours aider les gens dans le besoin autour de chez eux.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine trendwatching.com as primary domain	Kasım 2012’de, São Paulo’da – aralarında Jun Sakamoto, Kaa ve Girarrosto gibi üst sınıf işletmelerin de olduğu – 20 restoran, müşterilerine tam porsiyon fiyatına daha küçük bir porsiyon yemek seçeneği sunan bir girişim başlattı. Standart menü büyüklüğünün üçte biri boyutunda olan ‘Satisfeito’ (‘Tok’) menüsü sayesinde tasarruf edilen para, Brezilya’da çocukların beslenme yetersizliği ile mücadele eden Instituto Alana adlı organizasyona bağışlanıyordu.

  dbartmag.com  

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So dreht sich die Spirale - das in seinem Werk am häufigsten wiederkehrende Motiv - nicht nur in Duchamps' Film Anémic Cinéma (1926). Man begegnet ihr auch in den Augen der Schlange Kaa in Walt Disneys Dschungelbuch (1967) oder in tausenden von Comics.

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That sounds a lot like esoterism and New Age. An artist following in the footsteps of Aldous Huxley and Carlos Castaneda, whose reports on the consciousness-expanding aspects of their drug experiences once made them counter-culture heroes? In any case, a glance at Marti's work makes one thing clear: his photo works, films, and ceramics, staged as seductive fetishes in elaborate settings, look extremely good. Their decorative surfaces invite us to follow the artist on his trip, which not only leads through regions beyond reality and rationality, but also through the whole of art history. The amazing thing is that he succeeds in giving images back their original power, even those that have become reduced to cliché. Thus, the spiral-the most recurrent form in his work-twirls not only in Duchamp's film Anémic Cinéma (1926); one also sees it in the eyes of the snake Kaa in Walt Disney's Jungle Book (1967) and in thousands of comics. At the same time, the spiral is also an ancient mythological symbol. Marti's works draw from these prehistoric images imbedded deep in the human subconscious.

  www.db-artmag.de  

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So dreht sich die Spirale - das in seinem Werk am häufigsten wiederkehrende Motiv - nicht nur in Duchamps' Film Anémic Cinéma (1926). Man begegnet ihr auch in den Augen der Schlange Kaa in Walt Disneys Dschungelbuch (1967) oder in tausenden von Comics.

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That sounds a lot like esoterism and New Age. An artist following in the footsteps of Aldous Huxley and Carlos Castaneda, whose reports on the consciousness-expanding aspects of their drug experiences once made them counter-culture heroes? In any case, a glance at Marti's work makes one thing clear: his photo works, films, and ceramics, staged as seductive fetishes in elaborate settings, look extremely good. Their decorative surfaces invite us to follow the artist on his trip, which not only leads through regions beyond reality and rationality, but also through the whole of art history. The amazing thing is that he succeeds in giving images back their original power, even those that have become reduced to cliché. Thus, the spiral-the most recurrent form in his work-twirls not only in Duchamp's film Anémic Cinéma (1926); one also sees it in the eyes of the snake Kaa in Walt Disney's Jungle Book (1967) and in thousands of comics. At the same time, the spiral is also an ancient mythological symbol. Marti's works draw from these prehistoric images imbedded deep in the human subconscious.

  www.db-artmag.com  

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So dreht sich die Spirale - das in seinem Werk am häufigsten wiederkehrende Motiv - nicht nur in Duchamps' Film Anémic Cinéma (1926). Man begegnet ihr auch in den Augen der Schlange Kaa in Walt Disneys Dschungelbuch (1967) oder in tausenden von Comics.

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That sounds a lot like esoterism and New Age. An artist following in the footsteps of Aldous Huxley and Carlos Castaneda, whose reports on the consciousness-expanding aspects of their drug experiences once made them counter-culture heroes? In any case, a glance at Marti's work makes one thing clear: his photo works, films, and ceramics, staged as seductive fetishes in elaborate settings, look extremely good. Their decorative surfaces invite us to follow the artist on his trip, which not only leads through regions beyond reality and rationality, but also through the whole of art history. The amazing thing is that he succeeds in giving images back their original power, even those that have become reduced to cliché. Thus, the spiral-the most recurrent form in his work-twirls not only in Duchamp's film Anémic Cinéma (1926); one also sees it in the eyes of the snake Kaa in Walt Disney's Jungle Book (1967) and in thousands of comics. At the same time, the spiral is also an ancient mythological symbol. Marti's works draw from these prehistoric images imbedded deep in the human subconscious.

  www.rheinmetall-defence.com  

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Die KAE ist die ideale Kanone für moderne fernbedienbare Waffenstationen. Sie basiert auf dem bewährten und weitverbreiteten KAA-Design. Zusätzlich zu den standard-mäßigen 1.000 Schuss/Minute im Burst-Modus kann ein hochpräziser schneller Einzelschuss-Modus gewählt werden.

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The KBA is used for ground-based air defence, naval surface combatant and armoured fighting vehicle applications. It features a high rate of fire and an instantaneous ammunition selection between two belts, and can fire the whole range of full and subcalibre 25 mm x 137 ammunition. With more than five thousand cannons delivered, the KBA is combat proven and is currently in service with numerous nations.

  5 Hits www.zsi.at  

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  www.didierjoris.ch  

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Die Einweihung erfolgte in Anwesenheit des Gouverneurs der Provinz Lüttich, Herrn Michel Foret, des Bürgermeisters von Crisnée, Herrn Philippe Goffin, der Präsidentin des FÖD Inneres, Frau Isabelle Mazzara, des Vertreters des Generalverwalters der Gebäuderegie, Herrn Jean-Pierre Van der Kaa, des Generaldirektors der Zivilen Sicherheit, Herrn Jérôme Glorie, und des Einheitsleiters, Herrn Nicolas Tuts.

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L’inauguration a eu lieu en présence de Monsieur le Gouverneur de Liège Michel Foret, Monsieur le Bourgmestre de Crisnée Philippe Goffin, Madame la Présidente du SPF Intérieur Isabelle Mazzara, Monsieur le représentant de l’Administrateur général de la Régie des bâtiments Jean-Pierre Van der Kaa, Monsieur le Directeur général de la Sécurité civile Jérôme Glorie et Monsieur le Chef d’unité Nicolas Tuts.

  3 Hits evchargeplus.com  

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  teletrade.org  

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Die Einweihung erfolgte in Anwesenheit des Gouverneurs der Provinz Lüttich, Herrn Michel Foret, des Bürgermeisters von Crisnée, Herrn Philippe Goffin, der Präsidentin des FÖD Inneres, Frau Isabelle Mazzara, des Vertreters des Generalverwalters der Gebäuderegie, Herrn Jean-Pierre Van der Kaa, des Generaldirektors der Zivilen Sicherheit, Herrn Jérôme Glorie, und des Einheitsleiters, Herrn Nicolas Tuts.

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L’inauguration a eu lieu en présence de Monsieur le Gouverneur de Liège Michel Foret, Monsieur le Bourgmestre de Crisnée Philippe Goffin, Madame la Présidente du SPF Intérieur Isabelle Mazzara, Monsieur le représentant de l’Administrateur général de la Régie des bâtiments Jean-Pierre Van der Kaa, Monsieur le Directeur général de la Sécurité civile Jérôme Glorie et Monsieur le Chef d’unité Nicolas Tuts.

  www.foreca.it  

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  2 Hits www.takayamakarakuri.jp  

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  3 Hits www.wowfitterkerrysharp.com  

Show textShow cached sourceOpen source URL	Reisebaustein: Kaa Iya Nationalpark (4 Tage, ab Santa Cruz)
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  www.activeholidays.ro  

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Bereits im Jahr 2006 haben indische Filmemacher das Po­­­ten­­­zial der Region Bergstraße als Films­tand­ort erkannt und Bollywood-Filme wie „Humraah – The Traitor“ oder „Aap Kaa Surroor“ rea­­lisiert.

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Because of its picturesque environment, the region has repeatedly been a popular film lo­­cation for na­­tional and in­­ter­­na­­tional film produc­­tions. Back in 2006, Indian film makers recognised the po­­­­ten­­tial of the Bergstraße region as a movie lo­­cation and Bollywood movies like “Humraah – The Traitor” and “Aap Kaa Surroor” were realised there. This was fol­­lowed by high-quality productions from Ger­­many. The economic region Berg­­straße benefits from these film productions be­­­cause they contribute to both an increase in publicity and an economical and touristic development of the region. An official study confirmed the po­­­­si­­tive effects of the film indus­­try on tourism in the Bergstraße district. Thus an increase of overnight stays from 2,512 Indians in 2008 up to 7,450 in 2010 was there to be seen.

  www.qcplannedgiving.ca  

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So dreht sich die Spirale - das in seinem Werk am häufigsten wiederkehrende Motiv - nicht nur in Duchamps' Film Anémic Cinéma (1926). Man begegnet ihr auch in den Augen der Schlange Kaa in Walt Disneys Dschungelbuch (1967) oder in tausenden von Comics.

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That sounds a lot like esoterism and New Age. An artist following in the footsteps of Aldous Huxley and Carlos Castaneda, whose reports on the consciousness-expanding aspects of their drug experiences once made them counter-culture heroes? In any case, a glance at Marti's work makes one thing clear: his photo works, films, and ceramics, staged as seductive fetishes in elaborate settings, look extremely good. Their decorative surfaces invite us to follow the artist on his trip, which not only leads through regions beyond reality and rationality, but also through the whole of art history. The amazing thing is that he succeeds in giving images back their original power, even those that have become reduced to cliché. Thus, the spiral-the most recurrent form in his work-twirls not only in Duchamp's film Anémic Cinéma (1926); one also sees it in the eyes of the snake Kaa in Walt Disney's Jungle Book (1967) and in thousands of comics. At the same time, the spiral is also an ancient mythological symbol. Marti's works draw from these prehistoric images imbedded deep in the human subconscious.