what in – -Translation – Keybot Dictionary

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  ruslania.com  
In this exhibition, the photographer/writer focuses on Russian peasants, tramps, actors and academics, treating them all with equal respect. What they all have in common, and what in turn connects the photographer to these ‘human people’, is their ability to marvel at the wonders of everyday life.
De fotograaf-schrijver laat in deze expositie zijn licht schijnen op Russische boeren, zwervers, acteurs en academici, zonder een hiërarchisch onderscheid te maken. De verwondering over het alledaagse is wat hen bindt en wat de fotograaf op zijn beurt persoonlijk verbindt met deze ‘menselijke mensen’. Over Sergei Paradzhanov bijvoorbeeld, gefotografeerd voor zijn huis in 1985. Yuri Rost in zijn bijschrift: “Hij en ik hielden van dezelfde vrouw en dat schiep een band. Hij kon intens en prachtig verliefd zijn. Toen zij ziek werd, stuurde Paradzhanov haar een kist sinaasappels. Zij had nog nooit een dergelijk exotisch fruit gezien, maar dit was niet de reden waarom zij het niet ging eten. Ze legde de vruchten uit op haar vensterbank en staarde naar deze “kleine zonnetjes” die Seriozha haar midwinter had gestuurd. Zij bewonderde ze slechts en werd weer beter.”
  eduard-heinrich-haus.hotels-salzburg.org  
"Time For Bedlam" is a first taste of the next Deep Purple studio album "Infinite", following the success of the previous "Now What ?!". Since February 3 will be available this exclusive limited edition EP, which contains precisely the song "Time For Bedlam" (first single from the new album) and 3 unreleased recordings: "Paradise Bar", a B-sides recorded after closing tracklist of the new album (which is not present); "Uncommon Man", a song of "Now What ?!" in an original instrumental version and "Hip Boots", contained in "endless", here in special version only recorded by Ian Paice. All it produced by the legendary Bob Ezrin, which captures the classic sound of Deep Purple without falling into the temptation of nostalgia.
“Time For Bedlam” è un primo assaggio del prossimo disco in studio dei Deep Purple “InFinite”, che segue il successo del precedente “Now What?!”. Dal 3 febbraio sarà disponibile questo EP esclusivo in edizione limitata, che contiene appunto il brano “Time For Bedlam” (primo estratto del nuovo album) e altre 3 registrazioni inedite: “Paradise Bar”, una B-sides, registrata dopo aver chiuso la tracklist del nuovo disco (nel quale non è presente); “Uncommon Man”, brano di “Now What?!” in un’inedita versione strumentale e “Hip Boots”, contenuta in “InFinite”, qui in versione speciale registrata solo da Ian Paice. Tutto prodotto dal mitico Bob Ezrin, che cattura il suono classico dei Deep Purple senza cadere nella tentazione nostalgica.
  2 Hits www.alpiq.com  
What in all probability is the largest greetings card in the world is finally in place: The almost 2700 square meter canvas, printed with 3645 good wishes from Swiss winter sports fans, has today been hung on the Lac de Cleuson dam in the Valais Alps.
La plus grande carte de vœux sans doute jamais réalisée au monde a atteint sa destination: la bâche de 2700 mètres carrés sur laquelle sont imprimés 3645 messages d'encouragements des fans de sports de neige suisses a été supendue aujourd’hui sur le barrage du Lac de Cleuson dans les Alpes valaisannes. Le fournisseur d’énergie Alpiq est à ...
Die wahrscheinlich grösste Glückwunschkarte der Welt hat ihren Bestimmungsort erreicht: Die mit 3645 Glücksbotschaften von Schweizer Schneesportfans bedruckte, fast 2700 Quadratmeter grosse Blache ist heute an der Staumauer des Lac de Cleuson in den Walliser Alpen befestigt worden. Die Energiedienstleisterin Alpiq ist die Initiatorin dieser bisher ...
La cartolina d’auguri probabilmente più grande del mondo ha raggiunto la sua destinazione: la gigantografia di quasi 2700 metri quadrati e con impressi 3645 messaggi d’augurio di tifosi svizzeri degli sport invernali è stata appesa oggi alla parete della diga del Lago di Cleuson nelle alpi vallesane. Artefice di questa iniziativa senza pari è il ...
  www.taschen.com  
"There's no crew better than the good folks at TASCHEN to finally give this movement its authoritative tome. Join many of the artists and the book's curators and editors at tonight's LA launch party for what in many ways is the book of an art generation."— Flavorpill.com, United States
"There's no crew better than the good folks at TASCHEN to finally give this movement its authoritative tome. Join many of the artists and the book's curators and editors at tonight's LA launch party for what in many ways is the book of an art generation."— Flavorpill.com, États-Unis
"There's no crew better than the good folks at TASCHEN to finally give this movement its authoritative tome. Join many of the artists and the book's curators and editors at tonight's LA launch party for what in many ways is the book of an art generation."— Flavorpill.com, USA
"There's no crew better than the good folks at TASCHEN to finally give this movement its authoritative tome. Join many of the artists and the book's curators and editors at tonight's LA launch party for what in many ways is the book of an art generation."— Flavorpill.com, Estados Unidos
  www.ibei.org  
This is not surprising, as environmental problems are often across borders and usually require solutions that involve cooperation between states. International interests, ideas and institutions have therefore been drawn up to define who gets what in this area.
El medio ambiente se ha convertido en un asunto clave en la política internacional. No es de extrañar, puesto que los problemas ambientales tienen a menudo un carácter transfronterizo y suelen requerir soluciones que impliquen la cooperación entre estados. Así pues, se han articulado intereses, ideas e instituciones internacionales que definen el who gets what en este campo. La internacionalización de las políticas ambientales tiene lugar, fundamentalmente, desde hace cuatro décadas; esto es, desde la Conferencia de Naciones Unidas sobre el Medio Ambiente Humano, celebrada en 1972 en Estocolmo. Desde estonces los estados, las organizaciones intergubernamentales, las empresas, la ONGs y los científicos han desplegado una cantidad considerable de recursos con el fin de promover, influir o dificultar el avance de las negociaciones sobre acuerdos internacionales sobre el medio ambiente. El cambio climático es, de lejos, la componente mejor conocida de la política ambiental internacional, pero hay una densísima red de convenios, normas y negociaciones acerca de un buen número de otros problemas ambientales, incluyendo la biodiversidad, la bio-seguridad, la lluvia ácida, el ozono estratosférico, la desertificación, el comercio de especies en peligro de extinción, los residuos peligrosos, las ballenas, la Antártida y la contaminación del mar, entre otros.
  2 Hits vectortechnologies.com  
What in this Focus On denounce as Federation for over 30 years he is working to defend the rights of the most vulnerable people, It is that we risk being faced with a new social emergency with thousands of other persons deprived of minimum awards to start an include path, vulnerable people who will populate the streets and the shelters for the homeless
Qu'est-ce que dans ce Focus On dénonçons la Fédération pour plus 30 ans, il travaille à défendre les droits des personnes les plus vulnérables, Il est que nous risquons d'être confrontés à une nouvelle urgence sociale avec des milliers d'autres personnes privées de prix minimum pour commencer un chemin d'inclusion, les personnes vulnérables qui peupleront les rues et les refuges pour les sans-abri
O que neste Focagem no denúncia como Federação por mais 30 anos, ele está trabalhando para defender os direitos das pessoas mais vulneráveis, É que corremos o risco de ser confrontados com um nova emergência social com milhares de outras pessoas privadas de prêmios mínimos a iniciar um caminho de inclusão, pessoas vulneráveis ​​que vai povoam as ruas e os abrigos para os sem-teto
  4 Hits www.museummaritime-bg.com  
Certain features, determined solely by the technical function of the product, are not protected (see article on our website). Until now there were various interpretations as to what in fact determines that a particular feature is solely a result of the product function.
Wzory produktów lub ich części są chronione, gdy są nowe i wywierają odmienne całościowe wrażenie niż wzory wcześniej udostępnione publicznie. Ochronie nie podlegają jednak te cechy, które zdeterminowane są wyłącznie funkcją techniczną towaru (pisaliśmy już o tym na naszym portalu). Dotychczas istniały rozbieżności interpretacyjne, co tak naprawdę przesądza o tym, że dana cecha wynika wyłącznie z funkcji towaru. Rozwiewa je niedawny wyrok Trybunału Sprawiedliwości UE.
  agropolisfondation.optimytool.com  
This template can be used to set out your aims and objectives over the period of the plan – you can add columns for Years 4 & 5 – the resources you will need to implement them and what in indicators or milestones will show if you have achieved them.
Gall y templed yn cael ei ddefnyddio i osod allan eich nodau ac amcanion dros gyfnod y cynllun - gallwch ychwanegu colofnau ar gyfer Blynyddoedd 4 a 5 - yr adnoddau y bydd angen i chi eu rhoi ar waith a pha ddangosyddion neu cerrig milltir bydd yn dangos os ydych chi wedi eu cyflawni.
  www.bell.ca  
How will managers evaluate or measure remote workers' deliverables differently from what in-office employees produce?
En quoi le travail des télétravailleurs et celui des employés au bureau seront-ils évalués ou mesurés différemment par les superviseurs?
  2 Hits www.naturalresources.wales  
More and better information for people and communities about who does what, in order to ensure more efficient and more effective delivery for communities.
Eglurhad gwell i bobl a chymunedau o bwy sy’n gwneud beth, gan arwain at gyflawni’n fwy effeithlon ac effeithiol er budd cymunedau.
  naturacert.org  
One of the first ways of approaching the material was through improvisations; two by two the performers shared some of their weight with the other, while moving symbiotically. They then had to separate, without further tactile or visual contact and observe what, in their present condition, was left over in their bodies: gestures of the incomplete are born, creating forms that will be further investigated in what follows. They leave the performer in a state of precarious balance, with body-parts that seem to embrace the void, with a head that seeks to conspire with another head, now absent. This solitude is redistributed in the space and put into the network, and with empathy as a guide, each dancer in a way completes, at a distance, the emptiness that surrounds each of the others.
Une des premières approches consistait à improviser deux par deux, en donnant une partie de son poids à l’autre, en bougeant en symbiose. Ensuite il fallait se séparer, sans plus garder de contact tactile ni visuel, et prendre en compte ce qui dans cette nouvelle situation restait présent dans le corps: une gestuelle de l’incomplétude est née, dont nous élaborerons les formes par la suite. Elle laisse la personne dans un état d’équilibre précaire, avec des membres qui semblent embrasser le vide, avec une tête qui cherche la complicité d’une autre tête, absente. Ces solitudes sont alors redistribuées dans l’espace et mises en réseau, avec pour guide l’empathie, chaque danseur complétant en quelque sorte, à distance, le vide créé autour de chacun des autres.
  ujr.gov.me  
People have talked a lot about speculation in art and it has been practiced exesively. But the speculation has nothing to do with the collectors who follow their passsion, but with the parvenus who are found in all spheres of the activity even the cultural one. Then, the collector stops being a simple compiler and becomes an authentic creator. But we must remember Jean Baudrillard in his ‘Por una crítica de la economia del signo´he affirmed: the proper ego is always collected. So, the collector doesn´t choose the works not only for the themes,the colour, the esthetic,but also the extra artistic values are reflected in the collection: that work which has been refused for the price, that one which has been bought to be the first in the acquisition. In the psycological study or about the collector, we could see the causes which push him to collect, the justifications, but we could see also how the collector´s personality condition the collection and how it is reflected in its. In this point Germano Celant reminded us what, in several occasions, Panza di Biumo has repeated, one of the present greatest collectors: I have the conviction that my collection is a continuation of my thought, a concretion of my life conception.
Se n’ha parlat molt, de l’especulació a l’art; fins i tot, s’hi ha practicat en excés. Però l’especulació no té res a veure amb els col·leccionistes, que segueixen la seva passió, sinó que té a veure amb els arribistes, els quals es poden trobar en tots els àmbits de l’activitat, inclosa la cultural. El col·leccionista, doncs, deixa de ser un simple recopilador per convertir-se en un autèntic creador. Però recordem que Jean Baudrillard a Por una crítica de la economía del signo ja afirmava que: “es col·lecciona sempre el propi jo”. O sigui, que el col·leccionista no tan sols escull les obres pels temes, pel color, per l’estètica, sinó que els valors extraartístics es reflecteixen en la col·lecció: aquella obra que s’ha rebutjat pel preu, aquella que s’ha adquirit per passar al davant a un altre comprador....En l’estudi psicològic o sobre el col·leccionista podríem trobar les causes que el porten a col·leccionar, les justificacions, però alhora veuríem com la seva personalitat condiciona la col·lecció i com s’hi reflecteix. Germano Celant, aquí, ens recorda el que en més d’una ocasió ha repetit Panza di Biurno, un dels grans col·leccionistes actuals: “ Tinc la convicció que la meva col·lecció és una continuació del meu pensament, concreció de la meva concepció de la vida.
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