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  speedhive.mylaps.com  
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Scott Unger
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MARCEL STEIGER
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Unger, Bernard, MD - Jewish General Hospital
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Russillo, Balbina, MD, CCFP, FCFP
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Unger, Bernard, MD - Jewish General Hospital
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Russillo, Balbina, MD, CCFP, FCFP
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Unger-Shayesteh, K., S. Vorogushyn, D. Farinotti, A. Gafurov, D. Duethmann, A. Mandychev and B. Merz (2013). What do we know about past changes in the water cycle of Central Asian headwaters? A review.
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Farinotti, D., S. Usselmann, M. Huss, A. Bauder and M. Funk (2012). Runoff evolution in the Swiss Alps: Projections for selected high-alpine catchments based on ENSEMBLES scenarios. Hydrological Processes, 26 (13), 1909-1924. doi: 10.1002/hyp.8276
  www.cinematheque.fr  
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After five years in prison, Johnny organises a final job to start a new life: the hold-up of the betting window at a racetrack. Assisted by his old friend Marvin Unger, Johnny recruits accomplices on the scene of the "crime": Randy, Mike and George.
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Après cinq années passées en prison, Johnny organise un dernier coup pour se refaire : le hold-up de la caisse des paris d'un champ de courses hippiques. Assisté de son vieil ami Marvin Unger, Johnny recrute des complices sur le lieu du "crime" : Randy, Mike et George. Grâce à deux autres acolytes engagés pour faire diversion, ils réussissent leur coup. Mais le partage de l'argent ne peut se faire comme prévu. Johnny sera arrêté par la police dans un aéroport.
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Unger-Shayesteh, K., S. Vorogushyn, D. Farinotti, A. Gafurov, D. Duethmann, A. Mandychev and B. Merz (2013). What do we know about past changes in the water cycle of Central Asian headwaters? A review.
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Farinotti, D., 2017. Glacier modeling. In: International Encyclopedia of Geography, Wiley-Blackwell and the Association of American Geographers. D. Richardson, N. Castree, M.F. Goodchild, A. Kobayashi, W. Liu, and R.A. Marston (Eds.). John Wiley & Sons, Ltd. doi: 10.1002/9781118786352.wbieg0038
  cf.uba.uva.nl  
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These theoretical premises are discussed at length in the contributions on his typefonts and typography. The book has an introduction by Gerard Unger and the typograhy is by Cécile Noordzij, who also designed the exhibition poster.
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Hoewel De Does in verschillende opzichten als een 'traditioneel' ontwerper valt te bestempelen, zijn zijn uitgangspunten steeds van een andere, zeer eigenzinnige orde. Die theoretische uitgangspunten komen in de bijdragen over zijn drukletters en typografie uitgebreid aan bod. Deze uitgave wordt ingeleid door Gerard Unger en typografisch verzorgd door Cécile Noordzij, die ook het tentoonstellingsaffiche ontwierp.
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