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www.toscanaovunquebella.it

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" There is no answer. The two rode side by side, the thinner one just ahead, the fatter one a little behind. On the right of the road they were walking on stood a dark wall carved out of the thick dense rock by the quarry workers’ picks.

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E’ un modo diverso di arrivare a Fiesole – diceva, ansimando un po’ per via della ripida salita – , me l’hanno consigliato: la si scopre piano piano e infine, con il fiato grosso, la si raggiunge”. Non ci fu risposta. I due procedevano affiancati, un po’ più avanti quello magro, appena un po’ dietro quello più grosso. Sulla destra della stradina che stavano percorrendo si stagliava una scura parete di roccia scolpita fitta fitta dai picconi dei cavatori: smorzava la luce del sole e ne rimandava il calore. Dall’altra parte, un basso muretto scalcinato rivestito qua e là dalle piante dei capperi lasciava intravedere, tra i fitti rami verdi e profumati delle acacie, una vista sconfinata su Firenze e, in lontananza, le colline. Ora la strada faceva una leggera curva sulla sinistra, piegava appena e poi, sulla destra, subito ripartiva: la bianca parete di una grande villa rimandava una luce accecante mentre, dall’altra parte, la roccia, ora umida in qualche punto e ricoperta dai lunghi filamenti delle edere, dava un po’ di refrigerio ai due viaggiatori.

2 Résultats av.av4.xyz

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The one, a single-storey construction on the south-western side, provides warehouse space, while the main double-storey edifice, facing south-east, is the office block. These two buildings clearly differ in size, a distinction that is reinforced by the use of colours and materials. The warehouse has dark cladding, while the main volume is bright and shiny, with large glazed walls running along the façades and sizeable sections of light-coloured, polished metal panels that frame the elevations horizontally, almost embracing them with clear figurative overtones.

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L'architettura definisce due grandi volumi che si uniscono nella nuova sede, il corpo ad un piano destinato a magazzino e deposito, sul lato sud-ovest del complesso, e la parte principale, a due piani ed orientata a sud-est, in cui si assommano le funzioni amministrative e direzionali. Non solo le dimensioni provvedono a differenziare i due corpi contigui: l'uno, il deposito, si presenta con rivestimento a coloritura scura, mentre il volume principale si mostra con brillantezza e luminosità, nel dispiego delle grandi vetrate che corrono lungo i prospetti e nello sviluppo di ampie porzioni di facciata in lastre metalliche chiare e rilucenti, che incorniciano i prospetti in senso orizzontale, con una dinamica avvolgente e di forte connotazione anche di tipo figurativo.

nikigostar.com

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In this sense, the Festival offers all authors, of both documentary and fiction, the opportunity to give visibility to the languages and their expressive force, to foster a real dialogue and cultural exchange between the peoples of the world. The program of Babel Film Festival also contributes to a comparison with the universes of music and theater – for longer than cinema they included a wealth of minority languages - but also television, which is opening up more and more to the possibilities of communicating in a different way, a more focused one, a way centered on the needs and desires of a restricted community, giving it back its freedom of speech.

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In questo senso il Festival offre a tutti gli autori, sia di documentari sia di fiction, la possibilità di dare visibilità e forza espressiva alle lingue, per favorire un reale confronto e scambio culturale tra le popolazioni di tutto il mondo. Il programma del Babel Film Festival contribuisce anche ad un confronto con gli universi della musica e del teatro – che da più tempo rispetto al cinema hanno compreso la ricchezza delle lingue minoritarie –, ma anche della televisione, che si sta aprendo sempre di più alle possibilità di comunicare in un modo diverso, mirato, centrato sui bisogni e i desideri di una comunità ristretta a cui restituisce il diritto di voce.

tic.smarjeske-toplice.si

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Not very gently he was pushed down the worn-out steps into the moist dungeon. He was tied up in rusty chains that cut into his wrists and so he stumbled and crashed against the wet wall that was losing its plaster and where mold had formed. Unfortunately he fell down the steps and bloodied his forehead and banged up his shin. Warm liquid dripped over his right eye. Painstakingly he got up. With heavy, echoing steps the two guards followed behind him. One, a dwarf with a harsh face, carried a torch that illuminated his ugly features consisting of disgusting eyes, nose, mouth and forehead in a pale light. The other was tall and strong and hit his callous palms with the shaft of a whip. He grinned viciously and a mouth with gaps and yellow teeth appeared. "Go on!" he barked in a thunderous voice and pushed the shaft of the whip into the prisoner's back so that he stumbled and fell again. This time a massive door made of oak stopped the fall. Almost unconscious he stayed down and stared at cob webs. Something hurried across his hand with a squeal. Then the tall one put him on his feet and the dwarf opened the door. Immediately, stinking, stale air hit his nose. He wondered what was expecting him behind this door, way below ground. If only he could climb up the stairs again towards the light. Did he have to go down into this endless dungeon that held him prisoner. He didn't even remember anything before. "Light! Only light!". He moved along the stony floor. The dwarf put the torch into a holder and a rectangular room with an arched ceiling from which water was dripping, was illuminated. Various devices and tools were arranged along the walls and hung from the ceiling. In the center there was some sort of bed with curious features. The floor was slightly tilted towards the center so that any kind of liquids would flow there and disappear in a gutter.

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Unsanft wurde er die abgetretene Treppe in diesem feuchten Gewölbe hinabgestossen. Er war mit rostigen Ketten gefesselt, die ihm in die Handgelenke schnitten und so stolperte er und prallte gegen die nassglänzende Wand, an der der Verputz abbröckelte und sich Kalk gebildet hatte. Unglücklicherweise schlug er sich die Stirn blutig und das Schienbein an einer Treppenstufe blau. Warme Flüssigkeit triefte über sein rechtes Auge. Mühselig rappelte er sich auf. Mit schweren, widerhallenden Schritten kamen seine beiden Wächter hinter ihm herab. Der eine, ein kleiner Wicht mit grobem Gesicht, trug eine Fackel, die sein abstossendes Gebilde aus Augen, Nase, Mund und Stirn in einem bleichen Licht erschienen liess. Der zweite war gross und muskulös und schlug sich mit dem Stiel einer Peitsche auf die schwielige Händefläche. Er grinste hämisch und Mund mit Lücken und einigen gelben Zähnen kam zum Vorschein. "Geh schon!" donnerte er und stiess ihn mit dem Peitschenstiel in den Rücken, dass er ein weiteres Mal fiel. Diesmal stoppte einige massive Eichentür den Fall. Benommen blieb er liegen und starrte in ein staubverhangenes Spinnennetz. Etwa huschte piepsend über seine Hand. Dann stellte der Grosse ihn auf die Füsse und der Zwerg öffnete die knarrende Tür. Sofort ging ihm stinkende, abgestandene Luft in die Nase. Er fragte sich, was ihn hinter dieser Tür erwarten würde, weit unter der Erde. Könnte er doch noch einmal die Treppe nach oben steigen, wo es hell sein würde. Musste er denn diesen unendlichen Weg in dieses Gewölbe gehen, in dem er sich verfangen hatte. Er wusste nicht einmal mehr, was vorher war. "Licht! Nur Licht!". Er bewegte sich auf steinernem Boden. Der Zwerg steckte die Fackel in eine Halterung und ein rechteckiger Raum mit gewölbter Decke, von der Wasser tropfte, wurde ausgeleuchtet. Verschiedene Geräte und Werkzeuge waren an die Wand gestellt und aufgehängt. In der Mitte stand eine Art Liege aus Holz mit seltsamen Vorrichtungen dran. Der Boden war zur Mitte leicht gesenkt, so dass irgendwelche Flüssigkeiten wohl in die Mitte fliessen und in einem Ablaufrohr verschwinden würden.

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